To this day, I
cannot listen to Rossini’s “The Barber of Seville” without picturing Bugs Bunny and
Elmer Fudd.
I know I’m not alone.
I also know I’m not the first one to write about the use of classical music in Looney Tunes cartoons. In fact, a quick search revealed this great article, listing “15 Pieces of Classical Music That Showed Up in ‘Looney Tunes’” – it’s worth a read, if only to watch some of the classic video examples. Nevertheless, I feel the need to acknowledge my debt and express my deep gratitude to Bugs Bunny, Elmer Fudd and the cast of other Looney Tunes characters for turning me on to Rossini specifically, and classical music in general.
I also know I’m not the first one to write about the use of classical music in Looney Tunes cartoons. In fact, a quick search revealed this great article, listing “15 Pieces of Classical Music That Showed Up in ‘Looney Tunes’” – it’s worth a read, if only to watch some of the classic video examples. Nevertheless, I feel the need to acknowledge my debt and express my deep gratitude to Bugs Bunny, Elmer Fudd and the cast of other Looney Tunes characters for turning me on to Rossini specifically, and classical music in general.
Any warm-blooded
human in the general ballpark of my age will know what I’m talking
about. If you grew up in front of the TV on Saturday mornings, watching Bugs
and Elmer and Daffy and Porky and Tweety and Sylvester and crew, you will
undoubtedly remember “The Rabbit of Seville” episode, where Elmer’s relentless pursuit
of Bugs leads him right on stage during a production of “The Barber of
Seville.” Madness ensues, as Bugs finds ways to repeatedly humiliate Elmer.
Although there
were plenty of other classical pieces used in Looney Tunes cartoons (“What’s
Opera, Doc” may be my favorite runner up, set to the timeless strains of Wagner), "The Rabbit of Seville" always stood out for me. It was the combination of the
dramatic, immediately memorable music and some of the most hilarious, visually
hysterical images – especially Bugs in his white barber’s coat, giving Elmer a most unforgettable scalp massage.
These cartoons
stayed with me for a lifetime, creatively, musically, and visually. They
were part of the landscape of my childhood and they no doubt played a part in shaping
me into the writer I am today. I read a job description for a copywriter
recently that said they were looking for someone who is a “student of pop
culture.” Hi, that would be me. I’ve always been intrigued with pop culture on
many levels – and I have to give credit to Looney Tunes and some of those unforgettable
episodes for not only instilling in me a love of classical music, but for also
for helping to birth, feed and fuel my pop culture fascination.
I listen to
classical music often while I’m writing and Rossini’s “Barber of Seville” comes
on fairly frequently. I will never not see Bugs and Elmer in my mind when I
hear it. I will never not smile when I hear it. And they will never stop
inspiring me, at some level, to continue engaging my own creativity through
writing.
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